Georg Weber’s Lebens-Früchte (1649)

Abstract

Georg Weber’s Sieben Theile Wohlriechender Lebens-Früchte (Danzig 1649) is investigated with regard to the pattern poems it contains. Each of the seven introductory poems (all pattern or picture poems) are thematic indicators of the remaining poems in each of the seven sections, and, further, these seven poems form a progression among themselves.