Illuminography: a survey of the pictorial language of Hong Kong' s neon signs

Authors

  • Brian Sze-Hang Kwok
  • Anneke Coppoolse

Abstract

This article draws from a larger archival project in which still existing neon signs in much of Hong Kong's Kowloon peninsula have been photographed and subsequently preserved in the context of their imminent disappearance from the streets. Following the implementation of stricter regulations on sign sizes, the rise of cheaper and energy efficient LED solutions and urban redevelopment, Hong Kong's neon signs have an uncertain future. This article examines graphic forms of a range of icons and symbols used on neon signs plus their meanings. As Hong Kong's spectacular neonscape is (and was) a symbol of prosperity and consumerism, individual signs, icons and symbols of another kind present their own narratives. This article considers the relationship between icons and the city that they have prided for decades; specifically, it looks at its unique eclecticism. It reveals how a seeming spectacle of hues, lights, and images presents a story about Hong Kong's bicultural heritage. Indeed, what it intends to highlight is that even though neon signage is a Western technology and although it was used quite specifically in the context of consumerism, Hong Kong's adaptation indicates an eclecticism that has maintained traditional Chinese symbolism.Keywords: Hong Kong neon signs pictorial imagery streetscape symbolism

Author Biography

  • Brian Sze-Hang Kwok
    Brian Sze-Hang Kwok is Assistant Professor at the School of Design of the Polytechnic University of Hong Kong (PolyU). He teaches Communication Design and manages the Information Design Lab. His research interests are twofold with communication and information design on the one hand and Hong Kong visual culture and urban life on the other. His current research on signage in Hong Kong urban space attempts to bring the two together.;Anneke Coppoolse is a research associate at the School of Design of the Polytechnic University of Hong Kong (PolyU), focusing on urban visual culture and design history in Hong Kong. She has an interest in urban life, visual culture and the visuality and materiality of the everyday, including the aesthetics of waste and unwanted things.

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Published

2017-04-01

Issue

Section

Journal Article